12 Houses

12 Houses began with ordinary buildings found in cities around the world.

Facades, balconies, windows and colours become visual systems through observation, framing and perspective.

The photographs begin with reality and remain rooted in it.

Colours are found, not invented. Architecture is observed, isolated, enlarged and rearranged until its original function begins to disappear.

Through repeated copying, saving and reduction, the digital structure of some images is pushed further. Pixels break apart, grain disappears and photography itself becomes part of the material.

The building remains. The image moves on.